COLLECTION NAME:
Visiting Artist Lectures/Interviews
mediaCollectionId
ArtArtHi~7~7
Visiting Artist Lectures/Interviews
Collection
true
Image Record ID:
aahi0011325
image_record_id
aahi0011325
Image Record ID
false
Accessibility:
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Work Title (display):
Visiting Artist Lecture, Nayland Blake
Image Title:
video
Work Dates (display):
February 28, 1995
Work Dates type:
lecture
Work Creator (display):
Nayland Blake (American, born 1960)
Work Creator gender:
nonbinary
work_creator_or_agent_gender
nonbinary
Work Creator gender
false
Work Creator notes (display):
American sculptor, installation artist and curator. After studying for his BFA at Bard College, Annandale on Hudson, NY, he attended the California Institute of Arts in Valencia, CA, graduating with an MFA in 1984. His early works were often presented in vitrines like pseudo-Victorian artefacts, as in Natural History 1 (1987; see 1990 exh. cat., p. 42), a turtle with 'hysteria' written on its belly. As his work progressed Blake replaced the mock-historic veneer with clinical assemblages of medical instruments and objects of ambiguous function, often with sado-masochistic overtones. Work Station #4 (1989; Rubell priv. col., see 1990 exh. cat., p. 49), with its selection of sponge covered probes, flasks and carefully folded blankets, is an example of this phase. Working within a vocabulary that expressed the body as being defined through ritual, Blake presented sculptural installations that invoke a human presence and interaction; in particular the tension of the gay male body threatened by AIDS and attempts to codify identity and desire in the wake of the disease. In the 1990s Blake was also active as a curator. One of his most significant exhibitions was In a Different Light (1996; Los Angeles, UCLA), which aimed to 'explore the resonance of gay and lesbian experience in 20th-century American art'. It included work by both gay and straight artists working across the century, linking works without ghettoizing by sexuality, time or medium. Blake's own work during this decade became concerned with the figure of the rabbit or bunny as a way of thinking through both stereotypes of gay identity and his own position as an American of mixed race. One such work, Bunny Group, Happiness (19967) featured as part of his online exhibition in 1997. (Catherine M. Grant. "Blake, Nayland." Grove Art Online. Oxford Art Online. 18 Mar. 2009 .)
Work Creator UCB affiliation (display):
1995 visiting artist, Visiting Artist Program
Work Style Period:
20th century
work_styleperiod
20th century
Work Style Period
false
Work Style Period:
Contemporary
work_styleperiod
Contemporary
Work Style Period
false
Work Subject:
sculptures (visual works)
subject
sculptures (visual works)
Work Subject
false
Work Worktype:
lectures
work_type
lectures
Work Worktype
false
Work Category (VRC classification):
video
work_category__ucbaahvrc_classification_
video
Work Category (VRC classification)
false
Work Measurements (display):
running time: 01:24:34
Work Location (Repository or Site) name:
University of Colorado, Department of Art and Art History
Work Location (Repository or Site) role:
lecture
Work Location (Geographic) name:
Boulder, Colorado
Image Rights (display):
© University of Colorado, Department of Art and Art History
Work Rights (display):
© Nayland Blake
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Holding Institution:
University of Colorado Boulder
Collection:
Art and Art History Visual Resources Center
Collection info and contact:
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