Image File Name:
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vrc_20080523_005
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Image Record ID:
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aahi0001625
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Work Title (display):
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Sleep Paralysis
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Image Title:
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frame enlargement
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Work Description:
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Thesis abstract: Conventional movies tend to reflect the dominant ideology of the culture in which they were made. Movie making is a major industry in the United States and has tremendous influence over viewers, helping to shape images that emphasize established norms and roles in American society. Hollywood, as a microcosm of a larger patriarchal Western culture, perpetuates cultural values that define acceptable behavior for women. The moving image evolved from photography at the end of the 19th century. At the same time, psychoanalytic theory was born. Film eventually emerged as a male dominated industry, while psychoanalytic theory reinforced the idea that women are inherently passive, and feminist or assertive tendencies are abnormal. Women who chose a nontraditional path that bypassed domestic life (wife and motherhood) and/or included independence (sexual, reproductive, financial, intellectual, etc.) could conveniently be diagnosed as mentally ill. Female protagonists in movies have been routinely punished and subjected to an unhappy ending or reprogrammed to conform in order to live happily ever after. Because experimental filmmakers don’t aspire to make blockbusters, they are less concerned with appealing to a mass audience. They can thus be critical of their own culture without worrying about repercussions in the box office. Experimental films often lack narrative coherence and language. Like dreams, they tend to concentrate on visual image. One type of experimental filmmaking consists of collecting images from pre-existing works and reediting the images into a compilation. This is called associational montage. Sleep Paralysis is an experimental film utilizing associational montage. Like a dream, it is layered with meaning. The film presents a collection of images of women appropriated from several decades of cinema. The characters in the film represent the universal female protagonist, the filmmaker herself, and anyone who opts to reject conformity. The film is meant to suggest a waking nightmare. Sleeping is a metaphor for lack of consciousness/awareness. As the Greek philosopher Heraclitus suggested, most of humankind is just as unconscious of what they do while they are awake as they are of what they do while asleep. The title “Sleep Paralysis” refers to a psychological and physiological condition in which a person becomes trapped in limbo between waking life and deep sleep. The victim is intensely cognizant of impending, l nightmarish danger, but lacks the control to take action because of an inability to move or speak.
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Work Dates (display):
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2004
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Work Dates type:
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creation
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Image Date (display):
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2008-06-13
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Work Creator (display):
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Casey Koehler (American, born ca. 1980)
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Work Creator gender:
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female
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Work Creator notes (display):
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Written thesis: https://scholar.colorado.edu/concern/graduate_thesis_or_dissertations/0v838082t
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Work Creator UCB affiliation (display):
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MFA 2004, Art and Art History
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Work Creator memberOf:
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Video (IMAP) student, Art and Art History, CU Boulder
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Work Creator memberOf notes:
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IMAP: Interdisciplinary Media Arts Practices
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Work Subject:
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text (document genre)
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Work Subject:
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women (female humans)
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Work Subject:
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figures (representations)
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Work Worktype:
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films (visual works)
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Work Category (VRC classification):
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exhibitions
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Work Material and Technique (display):
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16 mm film still
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Work Location (Repository or Site) name:
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University of Colorado, Boulder. Art Museum
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Work Location (Repository or Site) role:
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exhibition
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Work Location (Geographic) name:
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Boulder, Colorado
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Image Rights (display):
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© Casey Koehler
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Work Rights (display):
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© Casey Koehler
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Terms of Agreement and Conditions of Use:
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YOU AGREE: Luna Imaging's Insight Software and the digital image collection associated with it (the Software) are being provided by the University of Colorado under the following license. By obtaining, using, and/or copying this work, you (the Licensee) agree that you have read, understood, and will comply with the following terms and conditions. 1. The Software contains the University of Colorado's Department of Art and Art History's implementation of a digital image collection; 2. Any images obtained through use of the Software will be used only for non-profit, educational purposes; 3. The use of images obtained through the software will only be used while the Licensee is either: a) an employee of the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver, or b) an enrolled student at the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver; 4. When the Licensee is no longer an employee or student of the University of Colorado, Metropolitan State College of Denver or Community College of Denver, either by an action of the University of Colorado, Metropolitan State College of Denver or the Community College of Denver or due to actions of the Licensee, the licensee will cease to use any images exported from the Department of Art and Art History's digital image collection; 5. The Licensee agrees to indemnify the University for claims and liability arising out of the use of the Software or for any violations of this license; 6. THE UNIVERSITY OF COLORADO SUPPLIES THE SOFTWARE WITHOUT ANY WARRANTIES, EXPRESS OR IMPLIED, INCLUDING ANY WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
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CU Copyright Statement:
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Holding Institution:
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University of Colorado at Boulder
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Collection:
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Art and Art History Visual Resources Collection
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Collection info and contact:
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For information about this collection, see
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