Detail View: Art and Art History Student Work:

Image File Name: 
vrc_20190912_031
Image Record ID: 
aahi0020296
Work Title (display): 
Transit Gloria
Image Title: 
Honeywell at Noon
Work Description: 
Thesis abstract: Push to Play is a video installation which explores the changing attitudes toward labor and work. I describe the techniques and style in Push to Play as "post-verite," post-truth, to acknowledge the fact that reality or truth is always constructed and reconstructed in a documentary or nonfiction work. Three forms of discourse are used: textual, visual, and fictional. Although Push to Play examines working (and living) conditions is the U.S.-owned factories off-shore and local, its main concern is the change m attitude towards labor which allows the continued eros10n of workers' civil, labor and human rights. For among the pantheon of causes--environment, homelessness, animal rights, self-determination, religious and political rights abuses--the issue of labor is lost. // My background includes working as a timelapse cinematographer documenting urban behavior for engineers, planners, and social scientists. Moving into video, I worked for the cable industry teaching video to the public as a community access coordinator. This experience has left me a media activist. In my off hours, I began experimenting with video. With a strong background in philosophy, painting, and film, I found video to be liberating. There wasn't the usual aesthetic baggage I was familiar with from art history. I was able to invent and experiment; I was able to concentrate on content. I still feel strongly that the importance of video is in its ability to be content-driven, that given the cost of film and the limited exposure of painting, video has the possibility of saying more for less, and can reach more people. However, my experience as public access coordinator left me wary as to what passes effectively as alternative or "political," especially where social issues are concerned. In terms of aesthetics and production, I shoot any video format I have access to or can afford at the time. I have always used Super-8 film within the videos I make. If not Super-8, then I include slides or negatives. Push to Play is the first video project to include found 16mm film footage. These techniques create an unusual aesthetic in contrast with the otherwise cold and electronic look of video.
Work Dates (display): 
1996
Work Dates (display): 
1996
Work Dates type: 
creation
Work Creator (display): 
Vicki Gensen
Work Creator gender: 
female
Work Creator notes (display): 
Written thesis: https://scholar.colorado.edu/concern/graduate_thesis_or_dissertations/r494vm25d
Work Creator UCB affiliation (display): 
MFA 1996, Art and Art History
Work Creator memberOf: 
Integrated Arts (IMAP) student, Art and Art History, CU Boulder
Work Creator memberOf notes: 
IMAP: Interdisciplinary Media Arts Practices
Work Subject: 
labor
Work Subject: 
reality
Work Subject: 
factories (structures)
Work Subject: 
Mexico (nation)
Work Subject: 
circuit boards
Work Subject: 
technology
Work Subject: 
capitalism
Work Worktype: 
video art
Work Category (VRC classification): 
video
Work Category (VRC classification): 
sculptures and installations
Work Location (Repository or Site) name: 
University of Colorado Art Gallery
Work Location (Repository or Site) role: 
exhibition
Work Location (Geographic) name: 
Boulder, Colorado
Work Rights (display): 
© Vicki Gensen
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Holding Institution: 
University of Colorado Boulder
Collection: 
Art and Art History Visual Resources Center
Collection info and contact: 
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