Detail View: Emanuel Martinez Collection: Bust of Dr. Valdez dedicated at library / Biblioteca dedica escultura del Dr. Bernard Valdez

Image Record ID: 
aahi0019450
Work Title (display): 
Bust of Dr. Valdez dedicated at library / Biblioteca dedica escultura del Dr. Bernard Valdez
Image Title: 
full view
Work Description: 
Unveiling of Emanuel Martinez's bust of Hispanic community activist Bernard Vasquez at the Denver Public Library. Both Martinez and Vasquez were present at the ceremony. Sculpture information: Bernard "Bernie" Valdez, bronze, life-size, Valdez-Perry Library, Denver, Colorado.
Work Dates (display): 
February 19, 1997
Work Dates type: 
publication
Work Creator (display): 
Francisco Miraval (Argentine, active ca. 1980 to present)
Work Creator notes (display): 
Dr. Francisco Miraval is a transformational philosopher with experience in education, journalism, and humanities. Born and raised in Argentina, Miraval now lives in United States, where he arrived almost 25 years ago. He holds advanced degrees in philosophy and theology, as well as certificates as language instructor. He has taught at universities in Buenos Aires and in Denver. He is also a certified spiritual counselor. Miraval is an ordained minister and a professional translator. He also presents scholarly papers about philosophy and theology at regional and national conferences. As a journalist, Miraval has published almost 10,000 stories in media outlets in the United States and other countries. In addition, since November 2016, he also edits Diario del Futuro Emergente (Emerging Future Daily News), an online publication in Spanish. Miraval also founded Project Vision 21, an independent bilingual (English/Spanish) consulting agency with offices in Aurora, Colorado. http://projectvision21.com/about
Work Creator (display): 
Rodha Pollack (American, active ca. late 1990s)
Work Creator (display): 
Emanuel Martinez (American, born 1947)
Work Creator notes (display): 
Born in Denver, Colorado in 1947, Emanuel Martinez began his career as an artist at the age of thirteen, when he painted his first mural. His art education includes workshops with world renowned artists and sculptors including David A. Siquieros and Francisco Zuniga. At the age of 20, Emanuel did a major work and two other pieces that are now in the permanent collection of the Smithsonian’s National Museum of American Art in Washington, D.C. As a muralist, painter and sculptor he occupies an outstanding status among nationally known artists. Since establishing a studio in 1968, Martinez has received international acclaim and prestigious awards for his design capabilities and high standards of workmanship. He enjoys personalizing compositions for clients and doing public works of art for site-specific environments. His work is lively, timeless, yet conveys a sense of serenity. He has been featured in over 300 newspaper/magazine articles and 37 published books, including a book written on his art career entitled: “Emanuel Martinez: A Retrospective”. http://emanuelmartinez.com/bio/
Work Creator (display): 
La Voz (American bilingual newspaper, based in Thornton, CO, founded 1974)
Work Creator Multiple Roles (display): 
author: Francisco Miraval; photographer: Rodha Pollack; artist: Emanuel Martinez; publisher: La Voz
Work Style Period: 
1990s
Work Subject: 
Martinez, Emanuel (American sculptor and painter, born 1947)
Work Subject: 
Bernard "Bernie" Valdez (Emanuel Martinez sculpture)
Work Subject: 
sculpture (visual works)
Work Subject: 
portraits
Work Subject: 
Valdez, Bernard (Hispanic American leader, 1912 to 1997)
Work Subject: 
Hispanic Americans
Work Subject: 
Denver Public Library
Work Worktype: 
clippings (information artifacts)
Work Category (VRC classification): 
periodicals
Work Category (VRC classification): 
writings
Work Location (Geographic) name: 
Denver, Colorado
Work Location (Geographic) role: 
referenced
Image Rights Fair Use Checklist: 
1) use of this work is for education and educational research; 2) the author and photographer are credited if known; 3) the work is published; 4) the size and amount of the work in relation to the whole are needed for education or educational research; 5) the number of derivatives is the minimum required for education or educational research; 6) the work has not been found to be reasonably available for sale; 7) duplication of the work does not violate preexisting contracts.
Work Rights (display): 
© La Voz
Terms of Agreement and Conditions of Use: 
YOU AGREE: Luna Imaging's Insight Software and the digital image collection associated with it (the Software) are being provided by the University of Colorado under the following license. By obtaining, using, and/or copying this work, you (the Licensee) agree that you have read, understood, and will comply with the following terms and conditions. 1. The Software contains the University of Colorado's Department of Art and Art History's implementation of a digital image collection; 2. Any images obtained through use of the Software will be used only for non-profit, educational purposes; 3. The use of images obtained through the software will only be used while the Licensee is either: a) an employee of the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver, or b) an enrolled student at the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver; 4. When the Licensee is no longer an employee or student of the University of Colorado, Metropolitan State College of Denver or Community College of Denver, either by an action of the University of Colorado, Metropolitan State College of Denver or the Community College of Denver or due to actions of the Licensee, the licensee will cease to use any images exported from the Department of Art and Art History's digital image collection; 5. The Licensee agrees to indemnify the University for claims and liability arising out of the use of the Software or for any violations of this license; 6. THE UNIVERSITY OF COLORADO SUPPLIES THE SOFTWARE WITHOUT ANY WARRANTIES, EXPRESS OR IMPLIED, INCLUDING ANY WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
CU Copyright Statement: 
The contents of the University of Colorado Digital Library are available for your use in research, teaching, and private study. Some of these items are protected by the U.S. Copyright Law (Title 17, U.S.C.) and some items may have additional restrictions. If you use the items in this collection, make sure you abide by any restrictions stated in the descriptive data window. The nature of these collections often makes it difficult to determine the copyright status of an item. We have made every effort to provide information about copyright owners and other restrictions in the descriptive data window. Ultimately, however, it is your responsibility to use the item according to the terms governing its use. If you are a copyright holder and the information is either not listed or listed incorrectly, please let us know so that we can update the information on our site.
Holding Institution: 
University of Colorado Boulder
Collection: 
Art and Art History Visual Resources Center
Subcollection: 
Emanuel Martinez Collection
Collection info and contact: 
For information about this collection, see . For specific questions, suggestions, or corrections about the descriptive information for images, contact aahvrc@colorado.edu. Please include the image file name for each image in question.