|
Image Record ID:
|
aahi0019893
|
|
Work Title (display):
|
La Mexicana: Female Icons in Mexican Culture
|
|
Image Title:
|
full view
|
|
Work Description:
|
Emanuel Martinez participates in "La Mexicana: Female Icons in Mexican Culture" exhibition a the Arvada Center. Painting information: La Curandera, acrylic, 1980, 16 in. (H) x 12 in. (W), Collection of Mr. & Mrs. Luis Abarca.
|
|
Work Dates (display):
|
Fall 2012
|
|
Work Dates type:
|
publication
|
|
Work Creator (display):
|
Arvada Center (American arts center based in Arvada CO, founded in 1976)
|
|
Work Creator notes (display):
|
"The Arvada Center for the Arts and Humanities is a multi-use cultural facility operated by the City of Arvada, Colorado, United States, which opened in 1976.[1] The Arvada Center comprises the Arvada History Museum, three theaters, art galleries, music, dance, and theater rehearsal rooms, classrooms, a conference center, and an amphitheater." (https://en.wikipedia.org/wiki/Arvada_Center_for_the_Arts_and_Humanities)
|
|
Work Creator (display):
|
Emanuel Martinez (American, born 1947)
|
|
Work Creator notes (display):
|
Born in Denver, Colorado in 1947, Emanuel Martinez began his career as an artist at the age of thirteen, when he painted his first mural. His art education includes workshops with world renowned artists and sculptors including David A. Siquieros and Francisco Zuniga. At the age of 20, Emanuel did a major work and two other pieces that are now in the permanent collection of the Smithsonian’s National Museum of American Art in Washington, D.C. As a muralist, painter and sculptor he occupies an outstanding status among nationally known artists. Since establishing a studio in 1968, Martinez has received international acclaim and prestigious awards for his design capabilities and high standards of workmanship. He enjoys personalizing compositions for clients and doing public works of art for site-specific environments. His work is lively, timeless, yet conveys a sense of serenity. He has been featured in over 300 newspaper/magazine articles and 37 published books, including a book written on his art career entitled: “Emanuel Martinez: A Retrospective”. http://emanuelmartinez.com/bio/
|
|
Work Creator (display):
|
Rosa Puente J. (Mexican, active circa early 2010s)
|
|
Work Creator (display):
|
Irene Aguilar (Mexican, active 2010s)
|
|
Work Creator notes (display):
|
"The Aguilar family of Ocotlán de Morelos are from a rural town in the state of Oaxaca, Mexico. This town produced only utilitarian items until Isaura Alcantara Diaz began creating decorative figures with her husband Jesus Aguila Revilla. The couple taught their five daughters who continued innovating their own styles and then teaching the two generations after them. Two of the sisters, Guilliermina and Irene have been named “grand masters” by the Fomento Cultural Banamex, for their figures and sets of figures related to the life and traditions of Oaxaca, as well as Mexican icons such as Frida Kahlo and the Virgin of Guadalupe." (https://en.wikipedia.org/wiki/Aguilar_family_(Oaxacan_potters))
|
|
Work Creator (display):
|
Alvaro de la Cruz (Mexican, active circa 2003 to circa 2013)
|
|
Work Creator notes (display):
|
"[Alvaro] de la Cruz has taken the Catrina character created by José Guadalupe Posada and turned her into an art form. Catrina is a spirited skeleton dressed in elegant finery. Although most of the Catrinas are female, Alvaro gives males equal time and many of his creations are charros (Mexican cowboys), bridegrooms, or other manly figures." (https://www.mexicoartshow.com/delacruz.html)
|
|
Work Creator (display):
|
René Atchison (American, active early 2010s to present)
|
|
Work Creator Multiple Roles (display):
|
publisher: Arvada Center; artist: Emanuel Martinez, Rosa Puente J., Irene Aguilar, Alvaro de la Cruz; photographer: René Atchison
|
|
Work Style Period:
|
2010s
|
|
Work Subject:
|
Martinez, Emanuel (American sculptor and painter, born 1947)
|
|
Work Subject:
|
La Curandera (Emanuel Martinez painting)
|
|
Work Subject:
|
paintings (visual works)
|
|
Work Subject:
|
La Mexicana: Female Icons in Mexican Culture (art exhibition in Arvada, CO)
|
|
Work Subject:
|
art exhibitions
|
|
Work Subject:
|
Mexico history
|
|
Work Subject:
|
history (discipline)
|
|
Work Subject:
|
Aguilar Alcántara, Irene (Mexican ceramicist, active ca. 2000s to present)
|
|
Work Subject:
|
de la Cruz, Alvaro (Mexican ceramicist, active ca. 2000s to present)
|
|
Work Subject:
|
Puente J., Rosa (Mexican artist, active ca. late 1990s)
|
|
Work Subject:
|
folk art (traditional art)
|
|
Work Worktype:
|
brochures
|
|
Work Category (VRC classification):
|
periodicals
|
|
Work Location (Geographic) name:
|
Arvada, Colorado
|
|
Work Location (Geographic) role:
|
referenced
|
|
Image Rights Fair Use Checklist:
|
1) use of this work is for education and educational research; 2) the author and photographer are credited if known; 3) the work is published; 4) the size and amount of the work in relation to the whole are needed for education or educational research; 5) the number of derivatives is the minimum required for education or educational research; 6) the work has not been found to be reasonably available for sale; 7) duplication of the work does not violate preexisting contracts.
|
|
Work Rights (display):
|
© Arvada Center
|
|
Terms of Agreement and Conditions of Use:
|
YOU AGREE: Luna Imaging's Insight Software and the digital image collection associated with it (the Software) are being provided by the University of Colorado under the following license. By obtaining, using, and/or copying this work, you (the Licensee) agree that you have read, understood, and will comply with the following terms and conditions. 1. The Software contains the University of Colorado's Department of Art and Art History's implementation of a digital image collection; 2. Any images obtained through use of the Software will be used only for non-profit, educational purposes; 3. The use of images obtained through the software will only be used while the Licensee is either: a) an employee of the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver, or b) an enrolled student at the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver; 4. When the Licensee is no longer an employee or student of the University of Colorado, Metropolitan State College of Denver or Community College of Denver, either by an action of the University of Colorado, Metropolitan State College of Denver or the Community College of Denver or due to actions of the Licensee, the licensee will cease to use any images exported from the Department of Art and Art History's digital image collection; 5. The Licensee agrees to indemnify the University for claims and liability arising out of the use of the Software or for any violations of this license; 6. THE UNIVERSITY OF COLORADO SUPPLIES THE SOFTWARE WITHOUT ANY WARRANTIES, EXPRESS OR IMPLIED, INCLUDING ANY WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
|
|
CU Copyright Statement:
|
The contents of the University of Colorado Digital Library are available for your use in research, teaching, and private study. Some of these items are protected by the U.S. Copyright Law (Title 17, U.S.C.) and some items may have additional restrictions. If you use the items in this collection, make sure you abide by any restrictions stated in the descriptive data window. The nature of these collections often makes it difficult to determine the copyright status of an item. We have made every effort to provide information about copyright owners and other restrictions in the descriptive data window. Ultimately, however, it is your responsibility to use the item according to the terms governing its use. If you are a copyright holder and the information is either not listed or listed incorrectly, please let us know so that we can update the information on our site.
|
|
Holding Institution:
|
University of Colorado Boulder
|
|
Collection:
|
Art and Art History Visual Resources Center
|
|
Subcollection:
|
Emanuel Martinez Collection
|
|
Collection info and contact:
|
For information about this collection, see
|