Detail View: Emanuel Martinez Collection: El arte de José Clemente Orozco

Image Record ID: 
aahi0019795
Work Title (display): 
El arte de José Clemente Orozco
Work Title (variant): 
The art of José Clemente Orozco
Image Title: 
full view
Work Description: 
Article in Spanish written by Martinez about the Mexican muralist José Clemente Orozco
Work Dates (display): 
December 3, 1986
Work Dates type: 
publication
Work Creator (display): 
Emanuel Martinez (American, born 1947)
Work Creator notes (display): 
Born in Denver, Colorado in 1947, Emanuel Martinez began his career as an artist at the age of thirteen, when he painted his first mural. His art education includes workshops with world renowned artists and sculptors including David A. Siquieros and Francisco Zuniga. At the age of 20, Emanuel did a major work and two other pieces that are now in the permanent collection of the Smithsonian’s National Museum of American Art in Washington, D.C. As a muralist, painter and sculptor he occupies an outstanding status among nationally known artists. Since establishing a studio in 1968, Martinez has received international acclaim and prestigious awards for his design capabilities and high standards of workmanship. He enjoys personalizing compositions for clients and doing public works of art for site-specific environments. His work is lively, timeless, yet conveys a sense of serenity. He has been featured in over 300 newspaper/magazine articles and 37 published books, including a book written on his art career entitled: “Emanuel Martinez: A Retrospective”. http://emanuelmartinez.com/bio/
Work Creator (display): 
José Clemente Orozco (Mexican, 1883 to 1949)
Work Creator notes (display): 
José Clemente Orozco was a Mexican artist, who specialized in political murals that established the Mexican Mural Renaissance together with murals by Diego Rivera, David Alfaro Siqueiros, and others. Orozco was the most complex of the Mexican muralists, especially fond of the theme of human suffering. He was also a genre painter, lithographer, and cartoonist. Between 1922 and 1948, Orozco painted murals in Mexico City, Orizaba, Claremont, California, New York City, Hanover, New Hampshire, Guadalajara, Jalisco, and Jiquilpan, Michoacán. His drawings and paintings are exhibited by the Carrillo Gil Museum in Mexico City, and the Orozco Workshop-Museum in Guadalajara. Orozco was known for being a politically committed artist and promoted the political causes of peasants and workers. https://en.wikipedia.org/wiki/Jos%C3%A9_Clemente_Orozco
Work Creator (display): 
La Voz (American bilingual newspaper, based in Thornton, CO, founded 1974)
Work Creator Multiple Roles (display): 
author: Emanuel Martinez; photographer: unknown; artist: José Clemente Orozco; publisher: La Voz
Work Style Period: 
1980s
Work Subject: 
Orozco, José Clemente (Mexican muralist and draftsman, 1883 to 1949)
Work Subject: 
Martinez, Emanuel (American sculptor and painter, born 1947)
Work Subject: 
Mexican Muralist (movement)
Work Subject: 
modern Latin American (style or period)
Work Subject: 
Academia de San Carlos
Work Subject: 
mural paintings (visual works)
Work Worktype: 
clippings (information artifacts)
Work Category (VRC classification): 
periodicals
Work Category (VRC classification): 
writings
Work Location (Geographic) name: 
Mexico City, Mexico
Work Location (Geographic) role: 
referenced
Work Location (Geographic) name: 
Laredo, Texas
Work Location (Geographic) role: 
referenced
Work Location (Geographic) name: 
San Francisco, California
Work Location (Geographic) role: 
referenced
Work Location (Geographic) name: 
New York, New York
Work Location (Geographic) role: 
referenced
Work Location (Geographic) name: 
Guadalajara, Mexico
Work Location (Geographic) role: 
referenced
Image Rights Fair Use Checklist: 
1) use of this work is for education and educational research; 2) the author and photographer are credited if known; 3) the work is published; 4) the size and amount of the work in relation to the whole are needed for education or educational research; 5) the number of derivatives is the minimum required for education or educational research; 6) the work has not been found to be reasonably available for sale; 7) duplication of the work does not violate preexisting contracts.
Work Rights (display): 
© La Voz
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Holding Institution: 
University of Colorado Boulder
Collection: 
Art and Art History Visual Resources Center
Subcollection: 
Emanuel Martinez Collection
Collection info and contact: 
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