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Image Record ID:
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aahi0019481
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Work Title (display):
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History viewed in Chicano art
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Image Title:
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full view
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Work Description:
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Emanuel Martinez participates in the Denver Art Museum exhibition "Chicano Art: Resistance and Affirmation." The show was launched by the UCLA Wight Art Gallery and is making "stop" in Denver. Article mentions controversies about the curation.
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Work Dates (display):
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January 25, 1991
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Work Dates type:
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publication
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Work Creator (display):
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Steven Rosen (American, active 1978 to present)
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Work Creator notes (display):
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Steven Rosen graduated from the University of Michigan with his bachelor's degree in 1972. He later received his MS in journalism from Northwestern University. Rosen began his journalism career at the Cincinnati Enquirer, where he worked as a reporter for eleven years. In 1989, he became a reporter for the Denver Post. Here, Rosen held the positions of art critic and movie critic. Since 2003, he has worked as a contributing visual arts editor for the Cincinnati CityBeat, while also writing film, music, and features stories for the newspaper. Rosen also works as a freelance writer for various newspapers, magazines, and websites, including The New York Times, Los Angeles Times, Denver Post, Dallas Morning News, Boston Globe, Variety, indieWire.com, and Western Art & Architecture. https://www.linkedin.com/in/steven-rosen-ba90374
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Work Creator (display):
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John Valadez (American, born 1951)
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Work Creator notes (display):
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John Valadez is a realist painter and muralist whose works has been exhibited in museums and galleries throughout the United States, Europe, and Mexico. In the 1970s and 1980s, Valadez worked actively with Chicano Arts collectives such as Los Four and Centro de Arte Publico. Valadez's murals are often focused on giving visibility to a Mexican-American Los Angeles. His subjects include the urban landscape and people of Los Angeles, where the artist was born, raised, and continues to live. His style might be compared to that of photorealists, such as Richard Estes, who gained prominence in the 1970s. However, his work is not a purely documentary reflection of mainstream society. http://www.robertbermangallery.com/artists/john-valadez
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Work Creator (display):
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Amado Maurilio Peña (American, born 1943)
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Work Creator notes (display):
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Amado Maurilio Peña, Jr. was born in Laredo, Texas, in 1943. He studied art and education at Texas A & I (now Texas A & M Kingsville), where he received his bachelor's and master's degrees. Peña has served as a teacher in Laredo as well as in Crystal City and Austin, Texas. He continues to teach as an adjunct professor in the College of Education at the University of Texas. He has presented at many national education conferences. Peña has been a successful professional artist for more than 30 years. He is a mestizo of Mexican and Yaqui ancestry. His art celebrates the strength of a people who meet the harsh realities of life in an uncompromising land, and his work is a tribute to the Native Americans who survive by living in harmony with an adversarial, untamed environment. His artwork is defined by bold color and form and dynamic composition. Peña is recognized as an Artisan of the Pascua Yaqui Tribe of Arizona, a particularly high honor. https://www.penagallery.com/
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Work Creator (display):
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The Denver Post (American newspaper, based in Denver, CO, founded 1892)
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Work Creator Multiple Roles (display):
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author: Steven Rosen; photographer: unknown; artist: John Valadez and Amado Peña; publisher: The Denver Post
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Work Style Period:
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1990s
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Work Subject:
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Martinez, Emanuel (American sculptor and painter, born 1947)
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Work Subject:
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Chicano movement
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Work Subject:
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Chicano Art: Resistance and Affirmation (traveling art exhibition, 1990 to 1993)
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Work Subject:
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Denver Art Museum (art museum in Denver, CO)
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Work Subject:
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Chicano art
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Work Subject:
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fund raising
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Work Subject:
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art exhibitions
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Work Subject:
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Farm Workers' Altar (Emanuel Martinez sculpture)
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Work Subject:
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Crusade for Justice (Chicano activist organization in Denver, CO)
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Work Worktype:
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clippings (information artifacts)
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Work Category (VRC classification):
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periodicals
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Work Category (VRC classification):
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writings
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Work Location (Geographic) name:
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Denver, Colorado
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Work Location (Geographic) role:
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referenced
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Image Rights Fair Use Checklist:
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1) use of this work is for education and educational research; 2) the author and photographer are credited if known; 3) the work is published; 4) the size and amount of the work in relation to the whole are needed for education or educational research; 5) the number of derivatives is the minimum required for education or educational research; 6) the work has not been found to be reasonably available for sale; 7) duplication of the work does not violate preexisting contracts.
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Work Rights (display):
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© The Denver Post
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Terms of Agreement and Conditions of Use:
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YOU AGREE: Luna Imaging's Insight Software and the digital image collection associated with it (the Software) are being provided by the University of Colorado under the following license. By obtaining, using, and/or copying this work, you (the Licensee) agree that you have read, understood, and will comply with the following terms and conditions. 1. The Software contains the University of Colorado's Department of Art and Art History's implementation of a digital image collection; 2. Any images obtained through use of the Software will be used only for non-profit, educational purposes; 3. The use of images obtained through the software will only be used while the Licensee is either: a) an employee of the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver, or b) an enrolled student at the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver; 4. When the Licensee is no longer an employee or student of the University of Colorado, Metropolitan State College of Denver or Community College of Denver, either by an action of the University of Colorado, Metropolitan State College of Denver or the Community College of Denver or due to actions of the Licensee, the licensee will cease to use any images exported from the Department of Art and Art History's digital image collection; 5. The Licensee agrees to indemnify the University for claims and liability arising out of the use of the Software or for any violations of this license; 6. THE UNIVERSITY OF COLORADO SUPPLIES THE SOFTWARE WITHOUT ANY WARRANTIES, EXPRESS OR IMPLIED, INCLUDING ANY WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
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CU Copyright Statement:
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The contents of the University of Colorado Digital Library are available for your use in research, teaching, and private study. Some of these items are protected by the U.S. Copyright Law (Title 17, U.S.C.) and some items may have additional restrictions. If you use the items in this collection, make sure you abide by any restrictions stated in the descriptive data window. The nature of these collections often makes it difficult to determine the copyright status of an item. We have made every effort to provide information about copyright owners and other restrictions in the descriptive data window. Ultimately, however, it is your responsibility to use the item according to the terms governing its use. If you are a copyright holder and the information is either not listed or listed incorrectly, please let us know so that we can update the information on our site.
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Holding Institution:
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University of Colorado Boulder
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Collection:
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Art and Art History Visual Resources Center
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Subcollection:
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Emanuel Martinez Collection DELETE
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Collection info and contact:
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For information about this collection, see
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