Detail View: Visual Resources Teaching Collection: Unland

Image Record ID: 
aahi0010305
Work Title (display): 
Unland
Image Title: 
installation view
Work Dates (display): 
1995-1998
Work Dates type: 
creation
Image Date (display): 
2012-11-16
Work Creator (display): 
Doris Salcedo (Colombian, born 1958)
Work Creator gender: 
female
Work Creator notes (display): 
Colombian sculptor. After completing her BFA at the Universidad de Bogotá in 1980, she went to New York, where she completed an MFA in Fine Art at New York University. She later returned to her native city, where she taught at the Universidad de Bogotá. Her work is profoundly affected by the unsettled political situation in her country. Her sculpture is made in response to testimony from friends and relatives of victims killed during her lifetime and often takes the form of reconfigured pieces of household furniture. Her Casa Viuda VI (1995; Jerusalem, Israel Mus.) consists of a cabinet fused with bone and clothing and forcibly attached to an unhinged door as an image of a widow's house. Transforming objects that should be familiar and comforting into things of horror, Salcedo draws attention to the grisly facts that underpin everyday existence in her society. Unland: Irreversible Witness (1995–8; San Francisco, CA, MOMA) plays on the form of a table, the symbol of communal living: two halves of tables are made into a hybrid whole, to which she attached the frame of a child's cot. Drilling hundreds of small holes into the table top, she wove a delicate surface of human hair, making the table into an unsettling monument to the disappeared victims of a silent war. Her sculpture has been described as a gesture of healing in a culture where memory is condemned to oblivion. (Grove Art Online Accessed 2006-07-26)
Work Style Period: 
20th century
Work Subject: 
victims
Work Subject: 
societies
Work Subject: 
humanity
Work Subject: 
imprisonment
Work Subject: 
predators
Work Subject: 
violence
Work Subject: 
history (discipline)
Work Subject: 
social classes
Work Subject: 
politics
Work Subject: 
body, human
Work Worktype: 
installations (visual works)
Work Category (VRC classification): 
sculptures and installations
Work Material and Technique (display): 
video and sound projection
Work Location (Repository or Site) name: 
Collection of San Francisco Museum of Modern Art
Work Location (Repository or Site) role: 
repository
Work Location (Geographic) name: 
San Francisco, California
Image Source Reproduction citation: 
Sollins, Susan. Art 21: Art in the Twenty-first Century. New York: Art 21, Inc., 2009. Print.
Image Source Reproduction refid: 
0-615-30836-8
Image Source Reproduction page number: 
34
Image Source Reproduction refid type: 
ISBN
Image Rights (display): 
© Herbert Lotz
Image Rights fair use checklist: 
1) use of this image is for education and educational research; 2) access is restricted to University of Colorado and Auraria Higher Education Center communities; 3) the original photographer is credited if known; 4) the image is published; 5) the amount of the work in relation to the whole is needed for education or educational research; 6) the number of derivatives is the minimum required for education or educational research; 7) the image has not been found to be reasonably available for sale; 8) duplication of the image does not violate preexisting contracts.
Work Rights (display): 
© Doris Salcedo
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Holding Institution: 
University of Colorado at Boulder
Collection: 
Art and Art History Visual Resources Collection
Collection info and contact: 
For information about this collection, see . For specific questions, suggestions, or corrections about the descriptive data for images, contact aahvrc@colorado.edu. Please include the Image Record ID ('aahi' followed by a 7-digit number) for each image in question.