Detail View: Visual Resources Teaching Collection: Self-Portrait in 2064

Image Record ID: 
aahi0006788
Work Title (display): 
Self-Portrait in 2064
Image Title: 
full view
Work Dates (display): 
2003
Work Dates type: 
creation
Image Date (display): 
2010-05-24
Work Creator (display): 
Matthew Ritchie (English, born 1964)
Work Creator gender: 
male
Work Creator notes (display): 
Matthew Ritchie was born in London, England in 1964, and lives and works in New York. He received a BFA from Camberwell School of Art, London, and attended Boston University. His artistic mission has been no less ambitious than an attempt to represent the entire universe and the structures of knowledge and belief that we use to understand and visualize it. Ritchie's encyclopedic project (continually expanding and evolving like the universe itself) stems from his imagination, and is catalogued in a conceptual chart replete with allusions drawn from Judaeo-Christian religion, occult practices, Gnostic traditions, and scientific elements and principles. Ritchie's paintings, installations, and narrative threads delineate the universe's formation as well as the attempts and limits of human consciousness to comprehend its vastness. Ritchie's work deals explicitly with the idea of information being 'on the surface', and information is also the subject of his work. Although often described as a painter, Ritchie creates works on paper, prints, light-box drawings, floor-to-wall installations, freestanding sculpture, web sites, and short stories which tie his sprawling works together into a narrative structure. Drawing is central to his work. He scans his drawings into the computer so that images can be blown up, taken apart, made smaller or three-dimensional, re-shaped, transformed into digital games, or given to someone else to execute. One ongoing work that Ritchie calls an endless drawing contains everything he has drawn before. Ritchie's work has been shown in one-person exhibitions at the Dallas Museum of Art; Contemporary Arts Museum, Houston; MASS MoCA; SFMoMA; and the Museum of Contemporary Art, Miami, among others. His work was also exhibited at the Whitney Biennial (1997), Sydney Biennale (2002), and São Paulo Bienale (2004). (PBS Art21 Accessed 2008-02-06)
Work Style Period: 
21st century
Work Style Period: 
Contemporary
Work Subject: 
meaning (philosophy)
Work Subject: 
space (composition concept)
Work Subject: 
scale (relative size)
Work Subject: 
narrative (artistic device)
Work Subject: 
motion
Work Subject: 
figures
Work Worktype: 
paintings (visual works)
Work Worktype: 
drawings
Work Category (VRC classification): 
drawings
Work Category (VRC classification): 
paintings
Work Material and Technique (display): 
oil and marker on canvas
Work Measurements (display): 
203 cm (H) x 254 cm (W)
Work Location (Repository or Site) name: 
Andrea Rosen Gallery
Work Location (Repository or Site) role: 
exhibition
Work Location (Geographic) name: 
New York, New York
Image Rights (display): 
© Oren Slor
Image Rights license agreement: 
DAVIS ART IMAGES: This image is copyrighted by Davis or its sources and all interest in and to the Image and its copyrights throughout the World are retained by Davis or its sources. Your permission to use the Images is limited as provided below. You acknowledge and agree that your use of the Images, including all use by your faculty and students who are users, shall be strictly limited to educational purposes by means of display through classroom projection and closed network, for instruction and study solely by users who are staff, faculty and registered students of your educational institution at the locations specified below. This license includes permission to use the Images on a multi-user network at the defined locations, and to permit remote access to a computer/server located at your site. Simultaneous display in multiple locations at or connected to the defined locations also is permitted. For all of these uses, you willl use reasonable security measures designed to limit access accordingly (e.g. by requiring authenticated password entry or by using other reasonable security measures to limit access). Any open access use and any publication (including scholarly publication) of the Images for any purpose, is strictly prohibited. Any request for any such use, or any other use not expressly authorized in this Agreement, must be directed to Davis in writing. You shall inform all permitted users of the copyright status of the Images and the restrictions on their use set forth in this Agreement. Your specified locations of use are: 1. University of Colorado at Boulder; 2. University of Colorado at Denvcer and Health Sciences Center (inclusing the Metropolitan State College of Denver and the Community College of Denver which may have students on that downtown campus); 3. University of Colorado at Colorado Springs.
Work Rights (display): 
© Matthew Ritchie
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Holding Institution: 
University of Colorado at Boulder
Collection: 
Art and Art History Visual Resources Collection
Collection info and contact: 
For information about this collection, see . For specific questions, suggestions, or corrections about the descriptive data for images, contact aahvrc@colorado.edu. Please include the Image Record ID ('aahi' followed by a 7-digit number) for each image in question.