Detail View: Visual Resources Teaching Collection: Ferroneous and the Monk

Image Record ID: 
aahi0006730
Work Title (display): 
Ferroneous and the Monk
Image Title: 
full view
Work Dates (display): 
1999
Work Dates type: 
creation
Image Date (display): 
2010-05-24
Work Creator (display): 
Trenton Doyle Hancock (American, born 1974)
Work Creator gender: 
male
Work Creator notes (display): 
Trenton Doyle Hancock was born in 1974 in Oklahoma City, OK. Raised in Paris, Texas, Hancock earned his BFA from Texas A&M University, Commerce and his MFA from the Tyler School of Art at Temple University, Philadelphia. Hancock's prints, drawings, and collaged felt paintings work together to tell the story of the Mounds—a group of mythical creatures that are the tragic protagonists of the artist's unfolding narrative. Each new work by Hancock is a contribution to the saga of the Mounds, portraying the birth, life, death, afterlife, and even dream states of these half-animal, half-plant creatures. Influenced by the history of painting, especially Abstract Expressionism, Hancock transforms traditionally formal decisions—such as the use of color, language, and pattern—into opportunities to create new characters, develop sub-plots, and convey symbolic meaning. Hancock's paintings often rework Biblical stories that the artist learned as a child from his family and local church community. Balancing moral dilemmas with wit and a musical sense of language and color, Hancock's works create a painterly space of psychological dimension. Trenton Doyle Hancock was featured in the 2000 and 2002 Whitney Biennial exhibitions, becoming one of the youngest artist in history to participate in this prestigious survey. His work has been the subject of one-person exhibitions at the Contemporary Arts Museum, Houston, the Modern Art Museum of Fort Worth, and the Museum of Contemporary Art, North Miami. The recipient of numerous awards, Hancock lives and works in Houston where he was a 2002 Core Artist in Residence at the Glassell School of Art of the Museum of Fine Arts, Houston. (Art 21 website accessed 2010-06-03)
Work Style Period: 
20th century
Work Style Period: 
Contemporary
Work Subject: 
symbols
Work Subject: 
transformation
Work Subject: 
mythology, contemporary
Work Subject: 
narrative (artistic device)
Work Subject: 
religion (discipline)
Work Subject: 
color
Work Subject: 
patterns (design elements)
Work Worktype: 
collage (visual works)
Work Worktype: 
paintings (visual works)
Work Category (VRC classification): 
collage
Work Category (VRC classification): 
paintings
Work Material and Technique (display): 
mixed-media on felt
Work Measurements (display): 
260 cm (H) x 290 cm (W)
Work Location (Repository or Site) name: 
Dunn and Brown Contemporary
Work Location (Repository or Site) role: 
exhibition
Work Location (Geographic) name: 
Dallas, Texas
Image Rights (display): 
© Dunn and Brown Contemporary
Image Rights license agreement: 
DAVIS ART IMAGES: This image is copyrighted by Davis or its sources and all interest in and to the Image and its copyrights throughout the World are retained by Davis or its sources. Your permission to use the Images is limited as provided below. You acknowledge and agree that your use of the Images, including all use by your faculty and students who are users, shall be strictly limited to educational purposes by means of display through classroom projection and closed network, for instruction and study solely by users who are staff, faculty and registered students of your educational institution at the locations specified below. This license includes permission to use the Images on a multi-user network at the defined locations, and to permit remote access to a computer/server located at your site. Simultaneous display in multiple locations at or connected to the defined locations also is permitted. For all of these uses, you willl use reasonable security measures designed to limit access accordingly (e.g. by requiring authenticated password entry or by using other reasonable security measures to limit access). Any open access use and any publication (including scholarly publication) of the Images for any purpose, is strictly prohibited. Any request for any such use, or any other use not expressly authorized in this Agreement, must be directed to Davis in writing. You shall inform all permitted users of the copyright status of the Images and the restrictions on their use set forth in this Agreement. Your specified locations of use are: 1. University of Colorado at Boulder; 2. University of Colorado at Denvcer and Health Sciences Center (inclusing the Metropolitan State College of Denver and the Community College of Denver which may have students on that downtown campus); 3. University of Colorado at Colorado Springs.
Work Rights (display): 
© Trenton Doyle Hancock
Terms of Agreement and Conditions of Use: 
YOU AGREE: Luna Imaging's Insight Software and the digital image collection associated with it (the Software) are being provided by the University of Colorado under the following license. By obtaining, using, and/or copying this work, you (the Licensee) agree that you have read, understood, and will comply with the following terms and conditions. 1. The Software contains the University of Colorado's Department of Art and Art History's implementation of a digital image collection; 2. Any images obtained through use of the Software will be used only for non-profit, educational purposes; 3. The use of images obtained through the software will only be used while the Licensee is either: a) an employee of the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver, or b) an enrolled student at the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver; 4. When the Licensee is no longer an employee or student of the University of Colorado, Metropolitan State College of Denver or Community College of Denver, either by an action of the University of Colorado, Metropolitan State College of Denver or the Community College of Denver or due to actions of the Licensee, the licensee will cease to use any images exported from the Department of Art and Art History's digital image collection; 5. The Licensee agrees to indemnify the University for claims and liability arising out of the use of the Software or for any violations of this license; 6. THE UNIVERSITY OF COLORADO SUPPLIES THE SOFTWARE WITHOUT ANY WARRANTIES, EXPRESS OR IMPLIED, INCLUDING ANY WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
CU Copyright Statement: 
The contents of the University of Colorado Digital Library are available for your use in research, teaching, and private study. Some of these items are protected by the U.S. Copyright Law (Title 17, U.S.C.) and some items may have additional restrictions. If you use the items in this collection, make sure you abide by any restrictions stated in the descriptive data window. The nature of these collections often makes it difficult to determine the copyright status of an item. We have made every effort to provide information about copyright owners and other restrictions in the descriptive data window. Ultimately, however, it is your responsibility to use the item according to the terms governing its use. If you are a copyright holder and the information is either not listed or listed incorrectly, please let us know so that we can update the information on our site.
Holding Institution: 
University of Colorado at Boulder
Collection: 
Art and Art History Visual Resources Collection
Collection info and contact: 
For information about this collection, see . For specific questions, suggestions, or corrections about the descriptive data for images, contact aahvrc@colorado.edu. Please include the Image Record ID ('aahi' followed by a 7-digit number) for each image in question.