Detail View: Visual Resources Teaching Collection: Madonna with the Seated Child

aahi0004425

Madonna with the Seated Child

full view

ca. mid to late 14th century

creation

2009-04-08

Andrea del Verrocchio (Italian, 1435-1488)

male

Italian sculptor, painter, draughtsman and goldsmith. He was the leading sculptor in Florence in the second half of the 15th century, and his highly successful workshop, in which Leonardo da Vinci trained, had a far-reaching impact on younger generations. A wide range of patrons, including the Medici family, the Venetian State and the city council of Pistoia, commissioned works from him. Exceptionally versatile, Verrocchio was talented both as a sculptor—of monumental bronzes, silver figurines and marble reliefs—and as a painter of altarpieces. He was inspired by the contemporary interest in the Antique and in the study of nature, yet, approaching almost every project as a new challenge, developed new conceptions that often defied both traditional aesthetics and conventional techniques. His fountains, portrait busts and equestrian sculpture are indebted to an iconographic tradition rooted in the early 15th century and yet they are transformed by his original outlook. His funerary ensembles are unique, so that, despite the great admiration they inspired, they had no imitators. Though a highly important artist in his own right, Verrocchio has often had the misfortune of being seen as in the shadow of his pupil Leonardo. (Yael Even. "Verrocchio, Andrea del." Grove Art Online. Oxford Art Online. 21 Apr. 2009 .)

15th century

Renaissance

women (female humans)

figures

infants

Christianity

Mary, Blessed Virgin, Saint

Jesus Christ

paintings (visual works)

paintings

Gemaldegalerie (Berlin, Germany)

repository

Berlin, Germany

Brown, David Alan. Leonardo Da Vinci: Origins of a Genius. New Haven: Yale University Press, 1998.

0-300-07246-5

39

29

ISBN

unknown

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public domain

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