Detail View: Visual Resources Teaching Collection: Spring Day on Karl Johan's Street

Image Record ID: 
aahi0000669
Work Title (display): 
Spring Day on Karl Johan's Street
Image Title: 
full view
Work Dates (display): 
1891
Work Dates type: 
creation
Work Creator (display): 
Edvard Munch (Norwegian, 1863-1944)
Work Creator gender: 
male
Work Creator notes (display): 
Munch, one of the most noted Norwegian artists, was concerned with the expressive representation of emotions and personal relationships in his work. He was associated with the international development of Symbolism during the 1890s and recognized as a major influence on Expressionism. His early work was conventionally naturalistic; by 1884, he belonged to the avant-garde circle of the painter Christian Krøhg. During stays in Paris between 1889 and1892 Munch was influenced by the symbolists, van Gogh, and, above all, Gauguin; it was during this time that he established his characteristic nervous linear style. An exhibition of more than 50 of Munch's work at the Berlin Kunstlerverein (Artists' Union) in 1892 was so scandalous that it was closed after a week with the repercussions leading to the formation of the Berlin Sezession in 1899. Much of the next ten years was spent in Berlin associating with writers such as Richard Dehmel and August Strindberg and creating works featuring his recurrent themes of sexual awareness, illness, jealousy, and insanity. These intense and disturbing works reflected not only Symbolist preoccupations but Munch's difficulties stemming from his own traumatic childhood during which his mother and sister died and his father nearly went mad. While in Berlin he produced his first prints, with lithographs and woodcuts becoming equally important to his painting. In 1908 he suffered a nervous breakdown and in 1909 he returned permanently to Norway, deliberately abandoning his disturbing themes as part of his recovery. His work became more outgoing, his palette brighter, and his themes more optimistic although his self-portraits retained the earlier intensity. After 1916 Munch became increasingly reclusive and his work regained some of its earlier urgency. He lived at Ekely outside Oslo; when he died he left over 20,000 works to the city. During Munch's lifetime there were many exhibitions of his work in Oslo, Prague, Stockholm, and German cities. (ULAN Accessed 2007-10-22)
Work Style Period: 
Symbolist
Work Style Period: 
Modernist
Work Style Period: 
Expressionist
Work Subject: 
women (female humans)
Work Subject: 
streets
Work Subject: 
Oslo, Norway
Work Subject: 
spring (season)
Work Subject: 
Norway (nation)
Work Subject: 
figures
Work Subject: 
parasols
Work Subject: 
children (people by age group)
Work Subject: 
men (male humans)
Work Worktype: 
paintings (visual works)
Work Category (VRC classification): 
paintings
Work Material and Technique (display): 
paint
Work Measurements (display): 
80 cm (H) x 100 cm (W)
Work Inscription (display): 
signed, dated
Work Location (Repository or Site) name: 
Bergens billedgalleri
Work Location (Repository or Site) role: 
repository
Work Location (Geographic) name: 
Oslo, Norway
Image Rights (display): 
© Ronald Wiedenhoeft. Licensed for educational use via Scholars Resource: Saskia, Ltd.
Image Rights license agreement: 
SASKIA, LTD.: WHO CAN USE THIS SOFTWARE: (a) Licensee, including faculty, staff and currently enrolled students may use the Licensed Software to display and or print the corresponding graphic images without limitation for teaching and research purposes at the defined Sites, or at remote locations having electronic access to your Site(s). (b) This license include permission to use the Licensed Software on a multi-user network at the defined Site, and to permit remote access to a computer/server located at your Site. Simultaneous display in multiple locations at or connected to the Site is also permitted. (c) Licensee agrees to employ reasonable security measures designed to limit access to your faculty, staff and currently enrolled students. PROHIBITED USES AND LIMITATIONS: (a) Saskia hereby reserves all rights not expressly granted herein. (b) the License Software may not be used for preparaiton of any publication, scholarly or otherwise; or for any purpose other than teaching or research. Publication of an image from the Licensed Software requires a separate license from Saskia. (c) Licensee agrees not to resell, lease, transfer, sub-license or otherwise distribute a copy of the Licensed Software, or any image taken from the Licensed Software, in whole or in part. (d) Licensee also agrees not to modify, corrupt or alter any digital image graphic content or "digital watermark" or the like in the software provided by Saskia under this Agreement. (e) Licensee agrees not to remove, alter, cover or distort Saskia's copyright notice, trademark, or other proprietary rights notice placed by Saskia in the Licensed Software itself, or in the associated packaging, media or documentation. (f) And Licensee agrees to notify users of the Licensed Software, in writing or by sign-on screen display, of their obligations under this Agreement and solicit their cooperation and compliance with such obligations.
Work Rights (display): 
public domain
Terms of Agreement and Conditions of Use: 
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Holding Institution: 
University of Colorado at Boulder
Collection: 
Art and Art History Visual Resources Center
Collection info and contact: 
For information about this collection, see . For specific questions, suggestions, or corrections about the descriptive data for images, contact aahvrc@colorado.edu. Please include the Image Record ID ('aahi' followed by a 7-digit number) for each image in question.