Detail View: Visual Resources Teaching Collection: Portrait of Dr. Eduard Plietsch

Image Record ID: 
aahi0000544
Work Title (display): 
Portrait of Dr. Eduard Plietsch
Image Title: 
full view
Work Dates (display): 
1928
Work Dates type: 
creation
Work Creator (display): 
George Grosz (German, 1893-1959)
Work Creator gender: 
male
Work Creator notes (display): 
German draughtsman and painter. Born in Berlin, Grosz spent his childhood in a cavalry barracks. He studied at the Dresden Academy (1909–12) and the Berlin Kunstgewerbeschule (1912–14) before volunteering for the army. Discharged as unfit in 1915, he was conscripted in 1917 and, mistakenly, sentenced to execution in 1918; from now on the German army was one of the principal targets of his savage and telling satires. Grosz and his fellow student John Heartfield (both Anglicized their names in 1917) had collaborated on Dada collages and journals during the war and in 1920 he was a leading figure in the first international Dada exhibition in Berlin. In the same year he published Gott mit uns, ten photolithographs of his spare and almost naive line drawings, a bitter attack on the German military for which he was arrested and fined. Undeterred he issued the satirical collection The Face of the Ruling Class in 1921. Further court appearances followed in 1923 and 1928. In his drawings and paintings, which assimilated elements from Cubism, Futurism, and, particularly, de Chirico's Pittura metafisica, Grosz established archetypal images of post-war German militarists and profiteers, exemplified by The Pillars of Society (1926; New York, MoMa) in which priest, soldier, businessman, editor, and aristocrat are mercilessly caricatured. As a Communist, atheist, and satirist Grosz was a natural target for the National Socialists but left for America in 1932. His American years were artistically disappointing and in 1959 he returned to Berlin, only to die in an accident. (Grove Art Online accessed 2007-10-17)
Work Style Period: 
Modernist
Work Style Period: 
Expressionist
Work Style Period: 
20th century
Work Subject: 
smoke
Work Subject: 
smoking
Work Subject: 
cigarettes
Work Subject: 
eyeglasses
Work Subject: 
portraits
Work Subject: 
physicians
Work Subject: 
men (male humans)
Work Worktype: 
oil paintings
Work Worktype: 
paintings (visual works)
Work Category (VRC classification): 
paintings
Work Material and Technique (display): 
oil on canvas
Work Measurements (display): 
110 cm (H0 x 79.5 cm (W)
Work Inscription (display): 
signed, dated
Work Location (Repository or Site) name: 
Museum Ludwig
Work Location (Repository or Site) role: 
repository
Work Location (Repository or Site) refid: 
ML 76/2814
Work Location (Repository or Site) refid type: 
accession
Work Location (Geographic) name: 
Cologne, Germany
Image Rights (display): 
© Ronald Wiedenhoeft. Licensed for educational use via Scholars Resource: Saskia, Ltd.
Image Rights license agreement: 
SASKIA, LTD.: WHO CAN USE THIS SOFTWARE: (a) Licensee, including faculty, staff and currently enrolled students may use the Licensed Software to display and or print the corresponding graphic images without limitation for teaching and research purposes at the defined Sites, or at remote locations having electronic access to your Site(s). (b) This license include permission to use the Licensed Software on a multi-user network at the defined Site, and to permit remote access to a computer/server located at your Site. Simultaneous display in multiple locations at or connected to the Site is also permitted. (c) Licensee agrees to employ reasonable security measures designed to limit access to your faculty, staff and currently enrolled students. PROHIBITED USES AND LIMITATIONS: (a) Saskia hereby reserves all rights not expressly granted herein. (b) the License Software may not be used for preparaiton of any publication, scholarly or otherwise; or for any purpose other than teaching or research. Publication of an image from the Licensed Software requires a separate license from Saskia. (c) Licensee agrees not to resell, lease, transfer, sub-license or otherwise distribute a copy of the Licensed Software, or any image taken from the Licensed Software, in whole or in part. (d) Licensee also agrees not to modify, corrupt or alter any digital image graphic content or "digital watermark" or the like in the software provided by Saskia under this Agreement. (e) Licensee agrees not to remove, alter, cover or distort Saskia's copyright notice, trademark, or other proprietary rights notice placed by Saskia in the Licensed Software itself, or in the associated packaging, media or documentation. (f) And Licensee agrees to notify users of the Licensed Software, in writing or by sign-on screen display, of their obligations under this Agreement and solicit their cooperation and compliance with such obligations.
Work Rights (display): 
© George Grosz
Terms of Agreement and Conditions of Use: 
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Holding Institution: 
University of Colorado at Boulder
Collection: 
Art and Art History Visual Resources Center
Collection info and contact: 
For information about this collection, see . For specific questions, suggestions, or corrections about the descriptive data for images, contact aahvrc@colorado.edu. Please include the Image Record ID ('aahi' followed by a 7-digit number) for each image in question.